I thought Peter Senge's idea of a 'learning organisation' (Senge, 1990) is particularly relevant to myself. The work that I do as a drama teacher for a children's theatre school is what will trigger my questions and research. Working within an environment where you are constantly passing information or experiences onto others it is easy for you to become comfortable as a teacher, keep doing the same old stuff. I want to be able to do what Senge talks about and give a 'meaningful' experience. I like the fact that he says that real learning is "what it is to be human". I think that is a great view to have. I know in myself that there's things I already know, many things I don't know and so many things I would love to know. We have to increase our capability to be able to learn new things.
Before I could think about what I need to know going forward in my career I did what the reader suggested and made some notes on what I already know, please see the photo below.
I can see that I have gaps in my knowledge that I will need going forward. I would like to know more about how the arts is brought into schools, how it is funded and how important people think it is. I would like to become a fully qualified teacher - which if I worked in a primary school for example I would need to take on other subjects other than just drama. I would also like to know what opportunities would be available to me in an arts capacity, within primary or secondary. As sadly I know the funding isn't always available to support teachers in these areas.
On Stephanie's blog she talked about Argyris and Schon's theories of' 'single-loop learning' (goals taken for granted) versus 'double-loop learning' (questioning learning systems) and how these could impact an inquiry (Argyris & Schon, 1974). They also outlined two models that show different qualities in how we work/learn. I mind a mind map of the two models and highlighted in them qualities that I have ever or could recognised within myself.
The qualities that I highlighted in model 1 could be seen as negative or restrictive to what I am trying to achieve on BAPP. These are qualities that I became aware of last module. It's taken me time to realise them by reflecting in my BAPP journal. I have started to make changes now and can already see some positive effects. For example, I was guilty of the 'save face'. Sometimes I maybe did need help but didn't want to ask for fear of looking like I haven't got things under control or can't do my job. Whereas now if I admit the help that I need or things that didn't work so well things can improve next time - like our end of term shows. Things worked much smoother at the end of summer term because I was honest about what I thought didn't work at the end of spring term. I didn't just say 'oh yeh it was great, lets forget about it'. I learned from experience.

I tried to think about how the attributes I highlighted in model two might help my inquiry going forward. Like the consequences say I want to increase the chance of 'double-loop learning'. I have the commitment that I want to learn and be continually improving upon my practise. Although it's a challenge BAPP is something I have chosen to do and I think it's very worthwhile to my career. Even if I wasn't doing BAPP I have now recognised that developing within any field is important. I am getting better at sharing control - by trusting people with things I maybe wouldn't have before or I would have thought I HAVE to do it myself. I also take an active part in putting together action for change within the business. More so in this last year I communicate almost daily with the managing director and theatre school creative director discussing how classes are going. As I travel a few schools in one day it can be easy to forget about problems or questions that arise throughout the day. My BAPP journal helps me to log those so I can come back to them if need be. I have also got into the habit of writing a weekly report email for most classes to flag up problems or things that I could use help with. I have enjoyed taking trial lessons into new schools or nurseries - putting together the lesson on the advice of my boss and securing new weekly sessions. I plan to talk as much as possible with my boss throughout my research as she recently completely an MA in applied theatre in education so is a person that would be knowledgeable about points I may be looking into.
I think the blogs are great too as it makes me state my intentions and encourages me to follow things up.
Some questions that have arisen from making notes on the reader and my BAPP journal:
I tried to think about how the attributes I highlighted in model two might help my inquiry going forward. Like the consequences say I want to increase the chance of 'double-loop learning'. I have the commitment that I want to learn and be continually improving upon my practise. Although it's a challenge BAPP is something I have chosen to do and I think it's very worthwhile to my career. Even if I wasn't doing BAPP I have now recognised that developing within any field is important. I am getting better at sharing control - by trusting people with things I maybe wouldn't have before or I would have thought I HAVE to do it myself. I also take an active part in putting together action for change within the business. More so in this last year I communicate almost daily with the managing director and theatre school creative director discussing how classes are going. As I travel a few schools in one day it can be easy to forget about problems or questions that arise throughout the day. My BAPP journal helps me to log those so I can come back to them if need be. I have also got into the habit of writing a weekly report email for most classes to flag up problems or things that I could use help with. I have enjoyed taking trial lessons into new schools or nurseries - putting together the lesson on the advice of my boss and securing new weekly sessions. I plan to talk as much as possible with my boss throughout my research as she recently completely an MA in applied theatre in education so is a person that would be knowledgeable about points I may be looking into.
I think the blogs are great too as it makes me state my intentions and encourages me to follow things up.
Some questions that have arisen from making notes on the reader and my BAPP journal:
- How much money in the UK is spent on arts education?
- Are most arts teachers paid for by the school/parents/government?
- How does funding for arts compare to other countries.
- How do you define what skills a good teacher of the arts has? - We are transdisciplinary, there is a lot to take into consideration when leading a class.
- How easy is it to work with other teachers within a creative capacity?
- Do you think parents understand what we do? Do they care about the arts?
- Do exams put a limit on a person's creativity? How can you assess something that's not a straight forward right or wrong answer?
- Should behaviour management differ in a creative environment? Can it stifle creativity?
- How do we deal with young peoples disappointments?
I would really like to hear anyone's views on any of these questions. I now need to refine them along with the original questions I had that came from 2d. Do what Hanstein says and figure out which of these are viable questions, not 'pseudo questions' (Hanstein, 1999).
Thanks!
References
Fraleigh, Sondra Horton, and Penelope Hanstein. Researching Dance. Print.
infed.org,. 'Peter Senge And The Learning Organization'. N.p., 2013. Web. 7 Oct. 2015.
infed.org,. 'Peter Senge And The Learning Organization'. N.p., 2013. Web. 7 Oct. 2015.
Middlesex University, BAPP Reader 4, 2015.
Senge, Peter M. The Fifth Discipline. New York: Doubleday/Currency, 1990. Print.
Hi Lisa,
ReplyDeleteI find that sometimes I delve into tasks too quickly and don't consider all the possibilities first. For example, I posted my questions then when I returned to the Reader for more research my thoughts were changed by the research I had explored. Do you find that you sometimes do this? Do you find ways around this that I can try?
I find your question 'How do you define what skills a good teacher of the arts has? - We are transdisciplinary, there is a lot to take into consideration when leading a class.' would be a really interesting line of inquiry. I would find this type of research really useful as an aspiring teacher.
I recently attended an NQT and training teachers meeting in my school, as part of my professional development, and the question arose 'What to students expect of us' the answer we decided... 'everything'! I think your research into teaching skills would cover a much broader spectrum than just performing arts to meet this expectation of being able to solve and perform 'anything' in a classroom.
Would literature do you think would be available to you for this inquiry?
Hope this helps,
Jess
Hi jess,
DeleteI did exactly the same - posted my questions and then after going through the reader and chatting with some people. But I guess in that case that is what we want for our ideas to develop and sometimes the way to do that is just start. Equally it can pay off to really think things through before you do them. For example, I feel I'm taking a while to get fully under way with the literary review task but I don't just want to pick the first books I come across.
I spent some time in the library last week and found some literature on acting theories and applied theatre in education. I have already found some good food for thought within these and I hope to find some more on my next visit.
Have you found anything interesting for your ideas?
Lisa x
Hi Lisa,
DeleteI am actually struggling a bit more with task 4d Literature review. I was hoping to discuss this tonight during the online session with Adesola. Are you joining this? It would be good to get your ideas on this.
I have actually found some interesting research into what 'literacy is' and came across the term 'dance literacy'. It is now thought that literacy isn't just being able to read and write, but a competency within a subject or topic. I thought this may be interesting to build upon in my inquiry.
Interestingly, I have found many articles/journals written on the way PE can be used to improve literacy levels but few written from a drama/dance/arts perspective. I thought that maybe it was because dance and drama are not compulsory on the curriculum but PE is. As a drama teacher, why do you think this is?
Thanks,
Jess.
Hi Jess,
DeleteI have found some literature about different drama techniques so that I can think about how to apply them to my teaching. For example, I found one essay that talks about 'attitudes' the actor showing or playing an attitude. I thought this may work well for my younger students who are less able to draw on experiences. I hope to study this more for the literature review. I have also found a few books on applied theatre in education which talk about how drama has been viewed in education through the years.
The thing I'm finding difficult is to pin point exactly which parts will help my inquiry as I am still unsure as to which topic I really want to find out more about.
One of the books I found talks about a lady called Harriet Finlay-Johnson who was a teacher in England in the early 1900s. She wrote a book called 'The dramatic method of teaching' in 1912. I hope to find this book and see how attitudes towards arts have changed since then, maybe there are similarities. This could maybe help you. She apparently really favoured the arts as a way to allow children to be active learners.
Have you managed to find anything further on dance and literacy? I liked the video you shared in your SIG - has that teacher done any written research or recordings of his findings?
Lisa x
Hi Lisa
ReplyDeletePaula brought to my intention, that similarly to myself, you are an Actress making the transition to teacher. You seem too have lots of experience and are well on your way too success, I really enjoy reading your blog, I find them really helpful as I do not have as much experience as you do. I found your question regarding 'Parents understanding of arts lessons' very intriguing. In my previous teaching job I came across a situation were a parent misunderstood a situation which lead too an awful situation which was not handled effectively by any party's involved. I would like to discuss this issue with you further as I believe it my benefit us both. Unfortunately I think it would be unethical of me too post details of the situation on the internet regardless of names remaining anonymous however I would be happy too share this information privately via email, facebook, texts etc. I also really like your question 'how do you define what skills a teacher of arts has?' I am basing my inquiry around the transition from performer to teacher and therefore have asked similar questions. Do you feel any skills gained from your performance skills benefit hinder your teaching?
I woukld really like you too join my SIG if you are interested let me know. I believe we could be really useful in each others inquiry.
Hope too speak soon
laura
Hi Laura,
DeleteI would love to chat to you more in depth about that incident. You can find me on Facebook - Lisa Marie Meiklejohn - add me and drop me a message we can share emails. Or my email should be on the sharing list that Paula emailed round last module. It would be great to maybe share each other's questions too through email talk about them in more detail.
I wouldn't say that my performing arts training has hindered me but I would say that because of going to performing arts lessons from such a young age and being used to a very particular style of teaching I sometimes found it difficult to adjust to teaching say within a classroom environment where all the lessons are themed towards a topic. Now I really enjoy those lessons and enjoy researching the topics and learning with the students through drama. Also I sometimes forgot that I really had to go back to basics. Often you can't just give young people a script or improvisation and see what happens because they don't have that experience. You really need to talk them through it bit by bit. Stagecraft, how to speak clearly, working in a team, compromise - so many elements thAt having been so used to doing it for years you don't realize you are putting into practise.
I think I have joined your SIG now? I will be sure to add you to mines, I will be setting it up today or tomorrow.
Lisa x
thanks Lisa and all for this discussion!
ReplyDelete